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Washington, and James Baldwin. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Maurice O. The chapters are arranged chronologically and include introductions by editor Elizabeth Reis which lend clarity and add historical context to the major articles and the supporting documents that follow. Reflecting the myriad ways historians interpret and analyze sexuality and sexual trends, the essays offer in-depth exploration of topics such as contraception, prostitution, interracial relationships, same-sex desire, reproductive politics, and intersex and transgender history. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Taken as a whole, the essays richly illustrate how the evolution of sexuality in America is a product of an ongoing negotiation of moral values and shifting political and economic circumstances.